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EMBRACING YOUR INNER
CRITIC
by
Drs. Hal and Sidra Stone
Chapter Two
How We Talk to the
Inner Critic
Another thing that we discovered in
talking to the selves in each other was the sense of their
absolute reality. The Inner Child, the Inner Critic, the
Responsible Parent--each of these was no longer just a part
or subpersonality in our minds. They gradually emerged
on the canvas of our psyches as real, live people, and the
more that we explored, the more amazed we became. What
started out as a coexploration between us became, ultimately,
the method that we have called Voice Dialogue.
You have learned about the fact that we
are made up of different selves. You are beginning to get
some feel for how these selves develop and how important
it is to learn about their ways of operating in your life.
Early in our own relationship with each other we needed
to find a way to explore ourselves and to help each other
in this exploration. It was out of this need to more deeply
understand ourselves and to deepen our own relationship
that we began to talk to the different selves in each other.
We took turns "facilitating" each other. (Facilitating
means talking to the other person's selves.) In those early
days, we spent hundreds of hours discovering the amazingly
widespread and rich family of selves that lived inside of
each of us. When it was Sidra's turn to be subject, Hal
would first spend some time talking with her to see what
kinds of issues she wanted to deal with. Once there was
a sense of what self or selves needed to be dealt with,
he would ask her to change her physical position, to actually
move to the place where that self or voice was sitting.
Hal then would begin a dialogue with this particular voice.
Having a dialogue with a voice means that Hal would begin
to talk to a particular voice in Sidra and that voice would
talk back to Hal. From this in-depth conversation the voice
received the opportunity to express its feelings and ideas
in great detail. These dialogues might last only five or
ten minutes, or they might go on for one or two hours.
When it was Hal's turn to be subject, the
procedure would be reversed. Sidra would be the facilitator
and she would ask Hal to move over to the place where a
specific self (like the Pusher) would sit. She would then
carry on a conversation with that particular voice. After
this dialogue ended, Hal would move back to his original
chair. From this position, it would be possible to view
and experience the different selves that had emerged in
the facilitation process.
In the course of these dialogues, no attempt
is made to change the view or feelings of the different
parts or selves. If two selves have different viewpoints,
no attempt is made to have them talk to each other or become
friends with one another. In this way, both the subject
and the facilitator have an opportunity to learn how to
live with the many paradoxes of life.
After each of these sessions was over, we found that we
were able to become much more separated from and objective
about the different selves in us. We learned to honor all
of them. The idea was not to try to get rid of parts that
we did not like, something we had both tried to do for years.
The idea was to embrace all of them and learn to use all
of them with a new kind of awareness. That is how we developed
the idea of the Aware Ego. The Aware Ego is the part of
us that is always changing as it becomes more aware of and
experiences the different selves and then gradually learns
how to use them in life with real choice.
We learned too that the more we tried to
make a part go away, the stronger it became. We discovered
that there were many people who recognized the Inner Critic,
for example, and who were always trying to make it go away
because they hated it so much. The more they would try
to rid themselves of the Critic, the stronger it would grow
inside. The trick, we learned, was to let the parts speak,
to understand who they were and how they developed, and
to learn how to use them properly in life.
Another thing that we discovered in working
with each other was how real these selves were. As we have
said, they behave as though they are real people, each with
its own hopes, feelings, and ambitions. Most of them have
a real sense of how we should live our lives. What was
different about our experience with each other from our
prior experience was this sense of their absolute reality.
The Inner Child, the Inner Critic, the Responsible Parent--each
of these was no longer just a part or subpersonality. They
were real, live people to us, and the more we explored,
the more amazed we became. What started out as coexploration
between us became ultimately the method that we have called
Voice Dialogue. We have described this method in considerable
detail in our book Embracing Our Selves, and we refer the
interested reader to this book for a full discussion of
the method and theory.
The reason that we bring this to your attention
now is that in this book on the Inner Critic we will be
using Voice Dialogue to show you conversations that we have
had with the Inner Critic. You will have a chance to read
about how the Critic feels and sounds and the kinds of things
that it is saying constantly inside the minds of people.
The more that you hear and read about the voice of the Inner
Critic, the easier it will be to hear your own Critic and
to begin the ever-important process of separating from it.
Deep in mind, then, the basic procedure
of Voice Dialogue from which these conversations come.
The "subject" is the one whose inner selves are speaking.
The "facilitator" is guiding the dialogue. The facilitator
asks the subject to physically move to the place where the
Inner Critic (or other self) is sitting. The facilitator
then begins to talk to the Critic, and a dialogue ensues
between Critic and facilitator. We will be citing portions
of these dialogues throughout the rest of this book.
VOICE DIALOGUE AS A WAY TO WORK
WITH THE INNER CRITIC
As you can see, Voice Dialogue is an
excellent way of getting to know your Inner Critic directly
by talking to it. In addition to this, we believe that
Voice Dialogue is an extremely effective method for exploring
and eventually coming to grips with the Inner Critic. As
with any approach to personal growth, Voice Dialogue is
not necessarily appropriate for everyone and must be seen
in the context of all the psychospiritual work that you
do. Voice Dialogue is a way of working that can be integrated
into any growth-enhancing or therapeutic system. It is
not designed to replace anything but rather to add a richness
to whatever it is that you are now doing.
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